My practice explores the relationship between structure and surface, between function and form, and the way in which we relate to our material and environment. I work with found materials sourced, for example, from the street, from local bins, via Marktplaats or from old industrial stocks.
I consider collecting not merely as preparation but as an essential part of the work itself; a sculptural gesture. I am interested in the informal, local systems that arise around reuse, salvaging, deconstruction and exchange.
Whereas I previously worked through control, finishing and a strongly form-oriented process as a means of exploring the relationship between form and function, my working method has now become much more process-driven. Cutting out EPS, applying resin and high-gloss varnish has given way to building from the inside out, allowing forms to emerge through assembly, improvisation and responding to material and context. Making becomes a playfull process, involving the materials, the location and the circumstances in which the work comes into being.
A recurring motif in my work is that of the turtle. Not as an animal that lives inside a shell, but as an animal that is its shell. This metaphor helps me to reflect on the interconnection between the inside and the outside, between body and structure, and between humanity and nature. What kind of structure supports a form? How does the outside respond to the inside? These are for me sculptural questions, but also social ones.
I see my sculptures not only as objects but as carriers of experience. They embody the serendipity of the find, the journey of collecting, the place of origin and the material’s previous life. Can a form reflect that social history? Can it bear traces of movement and encounters?
I regard sculpture as a situation of relationships between materials, places, people and processes.